Yes Review: Nadav Lapid's Crackling Satire Is A Blistering, Audacious Rebuke Of Israeli Nationalism

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At the start of Nadav Lapid's audacious Yes, George Grosz's 1926 painting The Pillars of Societyappears in a plopped-open coffee table book after a particularly hedonistic party scene. Yud (Ariel Bronz), or Y, as he is credited (the letter is the closest English-language approximation of the Hebrew), a wild musician, and his wife, Yasmine (Efrat Dor), are playing an upper-crust event with heavy drug use and deafening EDM. Y recklessly allows the fancily clad partygoers to throw him around as a remix of La Bouche's "Be My Lover" blares, dunking his head in a series of mysterious buffet-line liquids, each more neon than the previous, before he tumbles backwards into a pool.


Source: https://screenrant.com/yes-movie-review/